|
|
James Tissot
French Painter, 1836-1902
French painter, printmaker and enamellist. He grew up in a port, an experience reflected in his later paintings set on board ship. He moved to Paris c. 1856 and became a pupil of Louis Lamothe and Hippolyte Flandrin. He made his Salon d?but in 1859 and continued to exhibit there successfully until he went to London in 1871. His early paintings exemplify Romantic obsessions with the Middle Ages, while works such as the Meeting of Faust and Marguerite (exh. Salon 1861; Paris. Mus. d'Orsay) and Marguerite at the Ramparts (1861; untraced, see Wentworth, 1984, pl. 8) show the influence of the Belgian painter Baron Henri Leys. In the mid-1860s Tissot abandoned these tendencies in favour of contemporary subjects, sometimes with a humorous intent, as in Two Sisters (exh. Salon 1864; Paris, Louvre) and Beating the Retreat in the Tuileries Gardens (exh. Salon 1868; priv. col., see Wentworth, 1984, pl. 45). The painting Young Ladies Looking at Japanese Objects (exh. Salon 1869; priv. col., see Wentworth, 1984, pl. 59) testifies to his interest in things Oriental, and Picnic (exh. Salon 1869; priv. col., see 1984 exh. cat., fig. 27), in which he delved into the period of the Directoire, is perhaps influenced by the Goncourt brothers. Tissot re-created the atmosphere of the 1790s by dressing his characters in historical costume. Related Paintings of James Tissot :. | Gentleman in a Railway Carriage, | Algeron Moses Marsden | Goodbye, on the Mersey, | L'Escalier (The Staircase) ((nn01) | Cfolonel Frederick Burnaby (nn01) | Related Artists: Francisco de herrera the elderSpanish Baroque Era Painter, ca.1590-1656
Spanish painter. His early works are in the Mannerist style. Under the influence of Francisco Zurbaren, he developed the naturalistic style seen in his four scenes from the life of St. Bonaventure (1627). About 1650 he moved to Madrid. His last documented work, a painting of St. Joseph (1648) influenced by Anthony Van Dyck, features elongated forms and elaborate draperies. He achieved considerable fame in Sevilla, where Diego Velezquez was briefly his pupil. His work marked the transition from Mannerism to the Baroque. His son, Francisco Herrera the Younger James GuthrieScottish Painter, 1859-1930
Sir James Guthrie (June 10 1859?CSeptember 6 1930) was a Scottish painter known, later on in his career, for his portraiture, although primarily known for his work in the realm of Scottish Realism.
Born in Greenock, Guthrie, the son of a clergyman, originally enrolled at Glasgow University to study law, but abandoned this in favour of painting in 1877. Unlike many of his contemporaries he did not study in Paris, being mostly self-taught, although he was mentored for a short time by James Drummond in Glasgow and then John Pettie in London. He lived most of his life in the Scottish Borders, most notably in Cockburnspath, Berwickshire, where he painted some of his most important works, including A Hind Daughter (1883), and Schoolmates. He was strongly influenced by the French Realists, especially Jules Bastien-Lepage, and was associated with the Glasgow Boys.
He was elected an associate of the Royal Scottish Academy in 1888, and a full member in 1892. In 1902 he succeeded Sir George Reid as RSA president in 1902, and he was knighted the following year. He died in Rhu, Dunbartonshire in 1930 RING, Pieter deDutch Baroque Era Painter, ca.1615-1660
|
|
|
|
|
|
|
|